- DIRAC LIVE HIGH SIERRA FULL VERSION
- DIRAC LIVE HIGH SIERRA SOFTWARE LICENSE
- DIRAC LIVE HIGH SIERRA LICENSE
- DIRAC LIVE HIGH SIERRA PLUS
If you’ve purchased an XMC-1 from us, you’ve already experienced the power of Dirac Live LE.
DIRAC LIVE HIGH SIERRA LICENSE
Owners who purchased their XMC-1 used, and so didn’t receive their own Dirac Live LE For Emotiva license when they purchased it, may take this opportunity to purchase their own copy of the enhanced version.
DIRAC LIVE HIGH SIERRA SOFTWARE LICENSE
Current XMC-1 owners, who purchased their XMC-1 directly from Emotiva or one of our dealers or distributors, may purchase Dirac Live Full For Emotiva as an upgrade to the Dirac Live LE For Emotiva software license they received with their XMC-1.
DIRAC LIVE HIGH SIERRA FULL VERSION
The version which is currently available for purchase is the FULL version - which was originally available for purchase as an upgrade.ĭirac Live Full For Emotiva is an upgraded version of the advanced Dirac Live LE Room Correction software that is included with every new XMC-1 purchase. The limited LE version of Dirac Live that was originally included at no cost with the XMC-1 is no longer available. In this way, the Dirac solution ensures that low frequencies add up so that not only the average is controlled, but most importantly, seat-to-seat variation is minimized as we can now achieve a level of control in multiple locations at once.This version of Dirac Live is a special version that has been customized to work specifically with the XMC-1.
DIRAC LIVE HIGH SIERRA PLUS
With this type of filter, it’s possible to fine-tune the phase of each speaker so that the sound waves don’t cancel each other out and create dead zones in a room if you use multiple speakers.ĭirac Live Bass Control leverages all-pass filters, plus machine learning and artificial intelligence, to calculate gains, delays, and all-pass filters for each subwoofer. Unlike high-pass and low-pass filters, an all-pass filter allows every signal through and adjusts the phase response (timing). One of the keys to solving the bass optimization problem is introducing an all-pass filter that allows for precise control of a speaker’s phase response. This procedure requires significant setup time – a significant downside to most room correction solutions – because no two rooms or two sounds systems are the same. Determining the ideal phase response for each subwoofer is almost impossible with traditional tools.
They have offered little support for subwoofers and bass control other than equalization, which mitigates but doesn’t solve the problem.įor optimized bass performance, a system’s phase response, combined from multiple sources and room reflections, must be corrected – and that can be tricky. Historically, room correction tools have been developed to optimize full-range speakers. Traditional challenges with bass management Aligning all speakers optimally for each listener location can be complicated.
High-end home theater systems often have multiple subwoofers. The more speakers a sound system has, the more reflections and interferences are likely to occur.
The difference is typically experienced a less tight and boomy bass. An out-of-phase system will have reduced clarity and accuracy, resulting in a sub-optimal experience. A 100 percent phase linear system delivers sound from every speaker in every frequency to the listener at the same time. While equalization (EQ) solutions can improve an audio system’s tone, they don’t correct for phase. Any solution to correct these issues must consider variables such as the shape of the room, location and direction of each speaker, reflective or obstructive surfaces, and multiple observation points to ensure consistent performance throughout the space. This “crossover point” is where the output of different speaker types overlap and can result in wide variations in magnitude and phase at various locations in space. Optimizing a sound system’s magnitude and phase response is especially crucial in the range of frequencies near the subwoofers’ upper limit. This solution will provide a consistently excellent listening environment regardless of listener location. Carefully controlling each speaker’s magnitude and phase is necessary to create a space where each participant fully experiences a song or a film score. Why do we need bass management? Bass tones communicate feeling and physical power in music and film.